This is a situation where I’m delighted to admit to bias: I
have loved The Who and their music since they exploded into my life in the
Sixties. I have regarded Pete Townshend as a genius since Tommy, and his book, Who I am provides ample support for my
view.
One of my favourite verses in Quadrophenia
runs:
I have to
be careful not to preach,
I can’t
pretend that I can teach,
And yet
I’ve lived your future out
By
pounding stages like a clown.
Peter Townshend really has lived out many of the major
issues around resilience, and this book is a superb description of his
shipwrecks and re-inventions, embodying many of the insights and approaches
offered in my book, Out of the Woods: A Guide to
Life for Men Beyond 50.
I’ve recently become intrigued by the extreme pressures
which hit successful pop musicians, as a result of seeing the brilliant film
about the Congolese group Benda Bellili
– but that’s for another blog. Pop stars need even more resilience than the
rest of us: we may not want them as role models, but we can learn from them.
Pete describes these pressures vividly: the abundant booze
and drugs, and the gorgeous women throwing themselves at him. Plus the pressure
on him, as the songwriter in the group, to keep creating fresh hits. And the
chaos in a quartet of half-crazy personalities, on tour for weeks on end.
He writes very honestly of his heavy drinking, of his
underlying ongoing anger, and his work addiction “I was a workaholic, running away from the present, and probably the
past ... I was myself a really desperate man”. These shipwrecks forced him to dig deep to find his own resilience:
“To mature properly, I needed to reach
back to my lost youth, the eight-year-old I still carried within me”.
Some people suggest that the underlying crisis of resilience
is a spiritual one, and this is echoed by Pete describing his own “deep, nauseating spiritual desperation”. He describes the profound benefits he has
found through the teachings of Meher Baba. Overall, I’d rate Pete as pretty
resilient, mature operator in a context that sends many pop musicians crazy. Another
fascinating aspect of Who I am is the
range of Pete’s musical influences: For example, he writes about Purcell’s use
of elongated suspensions, which he used himself in ‘The Kids are Alright’, and
how one of my Sufi inspirations, Inayat Kahn, gave him ideas for Lifehouse.
The stories of Pete
Townshend and The Who are interwoven with many other great groups and
musicians, including The Rolling Stones, Jimi Hendrix and Eric Clapton. This
book has plenty of vivid scenes, involving all these and more. I rate it as a must-buy!
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